Il carrello del mio sonno ha toccato la pista del risveglio ancora alle 4 di mattina. Sta roba sta cominciando a diventare fastidiosa. Sono ormai alcuni mesi che continuo a essere sincronizzato su un cazzo di fuso orario antelucano che mi ha procurato anche una formale protesta di Beria.

Riesco a raggiungere le regolari 5:30am solo grazie a potenti gargarismi di melatonina che non usavo da secoli: il risultato è poi che il rincoglionimento sale a livelli da record mondiale.

Oggi puntata a Genova per personal matters: malgrado  un tempo decisamente infame che sta affliggendoci da settimane, l’aria di mare è sempre spettacolare, come lo son state le fave con salame e pecorino su cui ho lungamente indugiato. Il primo che mi chiede come va con il peso lo scomunico.

 


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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