Benedetto è apparso con in mano una tangibile prova dell’esistenza di un Dio, la “torta zena” della pasticceria Klainguti: potenziale calorico simile al berillio fuso, ma, anche per un non-dolcista come me, un’autentico concentrato di 39 vizi gastronomici capitali.

La giornata è stata invece consacrata all’imitazione di Mosè, nel suo celeberrimo pezzo di quando separa le acque e fa passare il gruppo vacanze attraverso il Mar Rosso: ha sempre piovuto cosí tanto che Beria riusciva a nuotare nelle pozzanghere con aria interrogativa.

Giro per Genova e, al solito, faccio qualche danno fotografico ….

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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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