Ho lavorato a Boston durante la fine degli anni ’90, e per alcune settimane ho passeggiato lungo i moli, mangiando secchielli di gamberi e bevendo Samuel Adams, la “Sam“, la birra “Boston Lager” che viene prodotta in Germania Street.

Quando ho corso la maratona di Chicago, nel 2003, sognavo di fare subito dopo quella di Boston, la più antica.

Ieri sera ho ricevuto la notizia e visto le immagini di un’agghiacciante mente perversa ha criminalmente deciso di fare una strage. Una strage nella festa, nella gioia della fatica, nella bellezza del festeggiamento. Si è voluto colpire, con lucida violenza, gli innocenti.

Ai responsabili di questo massacro dico: Siete dei criminali. Vi inseguiremo e vi prenderemo. Vi puniremo. Statene certi.

Nessuna foto. Solo dolore e tristezza.


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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