Ci son passato davanti alcune volte durante la scorsa settimana: il Cinema di Via Chiambrera non si può dire che abbia conosciuto fasti passati, ma adesso è una strenua, tenace resistenza del vecchio mondo del porno in cellulosa rispetto a quello in bites&bytes.

Non ho visto mai nessuno entrarci, ma la cassiera è li nel suo gabbiotto e l’operatore si mangia una focaccia quando mi affaccio dal vicolo e gli chiedo se posso fotografare le due macchine da proiezione che troneggiano all’interno e mi fanno tanto ricordare la pellicola di Giuseppe Tornatore, “Nuovo Cinema Paradiso“, del 1988. Film romanticissimo, da vedere assolutamente.

paradiso rosso


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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