PHOTO OF THE DAY #2 BURMA CIGARS

Inside a dim, wooden hall in rural Myanmar, time seems to move slower. Women sit in quiet concentration, their hands performing the same gestures repeated countless times — filling, rolling, and tying cigars with a precision born of habit rather than haste. The air is thick with the scent of tobacco leaves, yet there’s a calm rhythm to the place, almost meditative.

Each woman has her own small world: a bundle of leaves, a handful of tools, a few colored papers stacked neatly like offerings to patience. Their faces, marked by thanaka — the pale cosmetic paste that softens the tropical heat — carry an expression of endurance and grace.

In this room, productivity and dignity coexist in silence. There are no machines, no digital clocks, no rush — only the sound of hands shaping smoke for someone else’s pause. It’s a scene that belongs to another era, and perhaps, that’s precisely what makes it so powerful.

 

I was on my way to visit a temple a few hours’ drive from Yangon when my local fixer suggested a quick stop to buy cigars. Stepping into that silent room, with the morning light streaming softly through the windows, I found myself suspended in a moment of pure stillness — one of the most magical experiences of my life in Asia.


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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