Acquazzone galattico su Sydney: sono arrivato in aeroporto pagaiando con un taxista alto oltre 2 metri che non ci stava nel posto di guida manco togliendo il sedile.

La no-frills airline Jet al check in ti ricorda, attravvesro la gentilezza dell’addetta, che non parla ma abbaia come un pitbull, di essere su una no-frills: il mio patetico e cordiale tentativo di non imbarcare lo zaino è stato rintuzzato con un “ur jokin’ mate, ah?”.

Moderato breakfast (vedi sotto, colori REALI) con egg benedict, ham, muffins (cosí chiamati per il sapore di muffa), il tutto annegato nella salsa bernaise: se il fegato ringrazia per il cibo, il frozen canned orange juice che ci ho bevuto sopra ha provocato l’entusiasmo del colon.

Boarding: majora canamus

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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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