Bene, uno torna a casa, si rilassa un filino, e zacchete si fa fottere.

Sabato mattina sono andato al battesimo della figlia di un amico, a Bollate: chiesetta sperduta, nessuno in vista. Ho dietro una macchina fotografica ma, ecchecazzo, in chiesa proprio non voglio fare né il paparazzo né il fotografo da matrimoni-battesime-cresime.

Non si vede nessuno per kilometri: infilo la borsa con macchina, un 50mm e l’ipad sotto il sedile. Tanto sto via 15 minuti e la macchina è posteggiata davanti alla chiesa. Mi spaccano il vetro in quei 15 minuti e mi fottono la Leica.

Bastardi loro, ma coglione io.

Mi ricompro la M7, mi ricompro l’ipad. Il 50mm no, avevo già in ordine un 35 da urlo.

Danno? Equivalente al PIL del Leshoto. Non chiedete.

Ho fotografato domenica mia madre, in versione NonnaRock-Bono-U2 ….


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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