Sarà un caso ma, contemporaneamente al mio definitivo abbandono a Facebook, ho scoperto che il Papa (Benedetto16, che dire XVI fa così poco cool) ha aperto un account su Twitter, @Pontifex.

Giuro che non è un parto della mia fantasia, la notizia è anche riportata dalla stampa!

L’hashtag (#) #ilpapasutwitter ha seminato l’ironia dissacrante sulla rete, tanto da meritare una menzione sul blog di oggi, riportando fedelmente alcuni dei cinguettii più divertenti:

– 11° Comandamanto, non twittare l’account d’altri
– Mi piace pensare che la password dell’account del Papa sia Galileo
– “Papa don’t Tweet” citazione da (la) Madonna
– Sta a vedere che la moltiplicazione dei pani e dei pesci erano solo tweet
– Twitto vobis gaudio magno
– Stasera tornate a casa, dai vostri followers, fategli un re-twit e dite loro “Questo è il retwit del Papa
– Da oggi il Papa non ti scomunica più, ti defollowa direttamente

Foto per oggi? Un cinguettio da Hobart, in Tasmania, che osservava il mio fish and chips con chiara cupidigia (#peccato-capitale-neh) …

twit


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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