Stasera ho una cena di lavoro, dalle 20 alle 23, poi sereno come un pelato (pomodoro) che si deve inserire in una latta di conserva, mi inserisco in un 747 con lo sventolio dell’Union Jack sulla coda, che mi trascina su qualche curiosa rotta verso l’Europa: curiosa visto che non si sorvola l’Iraq, ne la Syria e manco l’Ukraine e quindi penso sia una sorta di zig-zag aereo del Medio Oriente.

Botta di vita, faccio anche tre quarti di domenica a casa: Beria che si era già occupata il divano, avvicinata i croccantini e il telecomando, versato un goccio di Gotturnio nella ciotola, avrà uno sciopone quando mi vede arrivare, per non sentire quello che pensa della sveglia del lunedì, visto che vedo flashare sull’agenda una bella call alle 6am.

Lascio l’Emirato cicala: uno skyline si impone dopo il “foggy” e il “foggy-senza-fog” dei giorni scorsi, e con questo basta foto di panorami per i prossimi 2 anni ….

dubai 27092014


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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