Sono stato redarguito da alcuni amici per la lassiva pigrizia che mi tiene assente dal blog: giuro che sto lavorando peggio di uno schiavo egizio che edificava piramidi alla gloria imperitura dei suoi faraoni.

Mi avete lasciato in Arabia, sono passato per Barcellona e per la Provenza e stamani sto barcollando come un facocero sudato nell’aeroporto di Johannesburg (South Africa), in transito per raggiungere Maputo (Mozambique): si cambia aria, speriamo che non mi facciano rimpiangere i giochi con la sabbia.

Sto faticosamente mettendo su carta un’ottantina di queste storie e una quarantina di immagini: se la mia produttività rimane inalterata, il libro potrebbe essere pubblicato nel corso di Gennaio (ma non aggiungo di che anno).

Stay tuned, a breve un reportage dal paese che ha falcetto e kalashnikow nella sua bandiera!


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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