Assistere ad una partita di football dove gioca la nazionale Inglese, e farlo da un pub di Londra, non ha prezzo: per invece pagare il conto del giro di birre offerto ai colleghi al termine di una maratona di meeting mi ci è voluto un mutuo ipotecario sul Duomo di Milano e sul Taj Mahal.

Il miracolo che quel volpone di Mosè fece sulle acque del Mar Rosso, facendole separare e prosciugando il percorso per far passare il popolo di Israele è nulla a confronto della rapidità con la quale, dopo il regolamentare urlo di gioia al goal segnato dall’Inghilterra, gli avventori si son tracannati 789 pinte di birra, prosciugando i bicchieri fino all’ultima goccia. Il rutto collettivo è stato misurato con la scala Richter.

Ho scattato una immagine nel pub (e non vi dico le bestemmie per caricare una immagine Leica su un PC window-based)  ….


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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