Oggi Beria (il mio pastore tedesco) se potesse mi farebbe causa, appellandosi alla corte dell’Aja per crimini contro la caninità.

Il primo giorno di semi-relax è trascorso con “passeggiata” dalle 5:45 alle 7 di mattina, marcia forzata di avvicinamento alla foce di 45 minuti, bagno con nuotata del cane, giro di rientro (1 ora sulle zampe). Il risultato è stato che l’ammasso di pelo (e salsedine) è stramazzato a casa e ho dovuto farle fare streaching per mezz’ora prima che si rialzasse ancora in piedi.

Potesse parlare il suo sguardo mi direbbe “umano folle, quand’è che te ne torni a lavorare in qualche posto del piffero in giro per il mondo e mi lasci alla mia serena quotidianità?“.

Foto? Ovvio, la bella (a sinistra, col pelo bagnato), e la bestia, al secolo “La Cami”, a destra con occhiali e con i sandali nuovi di pacca che stanno per andare sott’acqua …

la bella e la bestia


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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