Attimi per tornare a casa: sono parcheggiato a Changi, tanto per cambiare, e tra un tot poggio il posteriore su un 777 che in una dozzina e rotti di ore mi riporta nella ridente e piovosa Milano. Voglia di rientrare = Logaritmo di 0, che come i secchioni ricorderanno, tende a meno infinito. Bella vacanza, proprio bella.

Post sibillino, anche perché qui la palpebra cade inesorabile e devo tentare di tenermi sveglio. Mi è venuto solo in mente che devo tornar qui (per lavoro) a fine Maggio: sic transit birra!

Stamani ero in giro, guarda caso, per andare a vedere quanto è brava Annie: qualche scatto al volo fatto in metro, dentro un’allucinante mall (la ION) e sotto Marina Bay Sands, dove mi son sudato anche l’anima per rivedere i giardini in un’umidità dove i branzini chiedevano un accappatoio pulito …

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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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