Il lavoro incalza, e oggi veramente ho tempi risicati.

Salto di argomento in argomento e di paese in paese, cercando di almeno dare la parvenza di sapere di cosa sto parlando e dove sto geo-localizzando il contesto, prima di sostenere la criticità del Dry Martini a Riyadh, l’importanza del processo criogenico in Groenlandia e la logistica dell’annaffiatoio in Indocina durante il periodo dei monsoni.

Poche idee ma confuse, insomma.

Talvolta mi sembra di essere uno di quei negozianti, unici punti di approvvigionamento in paeselli sperduti, che si trasformano in “tuttologi”. Nei loro scaffali hanno generi alimentari, prodotti per la pulizia, giornali, medicinali umani e animali, improbabili giocattoli in plasticaccia che hanno viaggiato per continenti prima di impolverarsi per anni in attesa che la disperazione guidi un acquisto.

Foto? Ovvio, Myanmar (Birmania) oggi. Campane, telefoni, scarpe …

campane scarpe telefoni


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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