L’ultimo segmento della distribuzione logistica di qualsiasi tipo di prodotto, dal cavolo chinese alla borsa di Gucci, e’ su carrello a quattro ruote qui ad Hong Kong.

Sono ovunque, ma la cosa più incredibile e’ che non ti falciano le tibie come un terzino assassino, ma dribblano il traffico di gambe come i virtuosi dell’area di rigore. Viaggiano con una logica punto-punto, dal camion al negozio, ma non li vedi mai ne’ nel loro luogo di partenza, e manco in quello di destinazione, confermando la leggenda che facciano consegne tra universi paralleli.

Foto? Ovvio, carrelli …


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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