Uno dei pochi spazi culturali nel Paese dei Castelli di Sabbia e’ il Louvre Abu Dhabi, splendida costruzione a nave spaziale frutto di un milionario accordo con il museo parigino.

Aperto da quasi un anno, sta per accogliere il Salvator Mundi di Leonardo, arrivato nelle mani di un Principe Arabo dopo essere stato battuto a $450 milioni.

Una delle parti più’ interessanti della visita sono i visitatori stessi, che nella quasi totalità’ dei casi interagiscono con se stessi, molto più’ che con le opere esposte: il telefonino onnipresente, il selfie in costante agguato per confermare sul social “io ci sono, e sono figo” usando il contesto di sfondo come affermazione simil-Hegeliana.

Nell’ultima decina di giorni ci sono stato tre volte, sfruttando un abbonamento annuale che costa meno di una decente bottiglia di vino da queste parti: ovvio che la Signora Tedesca a Telemetro mi abbia accompagnato …


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It has been more than fifty years since I began traveling across the world — and the seven seas — for work or for pleasure, always with a Leica M camera close at hand. The camera has never been an accessory; it has been a constant companion, a way of observing, remembering, and making sense of the places and people I encountered along the way. I started keeping this kind of journal some time ago, not as a diary in the traditional sense, but as a space where images and words could meet. This is not a publication driven by schedules or algorithms. At times I disappear for long stretches; then, inevitably, I return with semi-regular updates. Publishing, for me, is a mirror of my state of mind and emotions. It follows my rhythm, not the other way around. You have to take it exactly as it comes. Every photograph you see here is mine. They are fragments of a life spent moving, looking, and waiting for moments to reveal themselves — often quietly, sometimes unexpectedly. This blog is not about destinations, but about presence. About what remains when the journey slows down and the shutter finally clicks.

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